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rama
Sadhinchene I Uthara & P Unnikrishnan I Thyagaraja Pancharatna Kriti
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Rama, along with his younger brother Lakshmana and wife Sita, exiled to the forest.
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Thyagayya (1767-1847)
Sadguru Tyagaraja Swami (Telugu: సద్గురు త్యాగరాజ స్వామి; 4 May 1767 – 6 January 1847), also known as Tyagayya, and in full as Kakarla Tyagabrahmam, was a saint and composer of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Rama, many of which remain popular today. However, only 720 of these are in vogue. Of special mention are five of his compositions called the Pancharatna Kritis (transl. "five gems"), which are often sung in programs in his honour. Tyagaraja composed Utsava Sampradaya Krithis (transl. Festive ritual compositions), which are often sung to accompany temple rituals and Divya Nama Sankeertanas (transl. Divine name compositions) which are sung as a part of concerts and in daily life.
Tyagaraja lived through the reigns of four kings of the Maratha dynasty – Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855),[3] although he served none of them.
This pancharathna krithi has been well set on the easiest of ragas, Arabhi. This Krithi has been carved out in a language full of liberty, teasing tone, metaphor and simile without having a surfeit of adjectives – all the while arresting the attention of the singers. Thyagaraja swamigal, in this krithi, appeared to be telling the greatness of the lord in a lucid manner most enthusiastically. The style adopted in this krithi is very sweet in comparison to the other four kirthanas. Oh Lord you are an opportunist, You deceived your parents Devaki, Vasudeva as also the gopikas who surrendered to you, You mischievously smile when Yashoda innocently folded you with love at the thought that she too would be disappointed on being separated from him, You falsified the aforesaid words of Sruti and Smruti. You have somehow not come to me despite the fact that I was overjoyed in keeping your memory always in my heart, You preached patience, tolerance in the face of adversity freedom from anger, satsang etc; and coolly accepted my pujas, You give bhakti and peace, Despite all this you have steadfastly not come closer to me to the end, Thus this kirthana, a gem amongst the five kirthanas which bring out the thought and reminiscences of Shri Thayagaraja; is a great gift to the singer and bhaktas.
Pallavi:
Sadinchane Oh Manasa
Sadhinchane: Achieved!!
Oh Manasa: Oh, my mind!
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Telugu (/ˈtɛlʊɡuː/; తెలుగు, is a classical Dravidian language native to the Indian states of Andhra Pradesh and Telangana, where it is also the official language. Spoken by about 96 million people (2022), Telugu is the most widely spoken member of the Dravidian language family, and one of the twenty-two scheduled languages of the Republic of India. It is one of the few languages that has primary official status in more than one Indian state, alongside Hindi and Bengali. Telugu is one of the languages designated as a classical language by the Government of India. It is the 14th most spoken native language in the world. Modern Standard Telugu is based on the dialect of erstwhile Krishna, Guntur, East Godavari and West Godavari districts of Coastal Andhra.
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Telugu has an unbroken, prolific, and diverse literary tradition of over a thousand years. Pavuluri Mallana's Sāra Sangraha Ganitamu (c. 11th century) is the first scientific treatise on mathematics in any Dravidian language. Avadhānaṃ, a literary performance that requires immense memory power and an in-depth knowledge of literature and prosody, originated and was specially cultivated among Telugu poets for over five centuries. Roughly 10,000 pre-colonial inscriptions exist in Telugu.
In the precolonial era, Telugu became the language of high culture throughout South India. Vijaya Ramaswamy compared it to the overwhelming dominance of French as the cultural language of Europe during roughly the same era. Telugu also predominates in the evolution of Carnatic music, one of two main subgenres of Indian classical music and is widely taught in music colleges focusing on Carnatic tradition.[Over the centuries, many non-Telugu speakers have praised the natural musicality of Telugu speech, referring to it as a mellifluous and euphonious language.
https://en.wikipedia.org/wiki/Telugu_language
Écoutez aussi:
Endaro Mahanubhavulu I Uthara & P Unnikrishnan I Tyagaraja
https://www.youtube.com/watch?v=9bcBbRQ7VDQ
Dudukugala I Uthara & P Unnikrishnan I Thyagaraja Pancharatna Kriti
https://www.youtube.com/watch?v=FOOTxbU2PKM
Jagadananda Karaka I Sooryagayathri I Thyagaraja Aradhana Special
https://www.youtube.com/watch?v=5Nz7YRaUyuY
Celebrating 177 years of Thyagaraja's unparalleled musical legacy with the Pancharatna Krithis!
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Râmakrishna: L'amour de Dieu l'emporte sur l'obéissance aux supérieurs
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Rama est représenté à la peau bleue, portant un arc tendu avec un carquois rempli de flèches sur son dos et une seule flèche dans sa main droite. Sur papier européen vergé et marqué à l'eau avec une fleur de lys. Il s'agit d'un autre tableau de la série daté de 1816. Peint en Inde du Sud (probablement Thanjavur ou Tiruchchirapalli).
770. - Il n'y a pas péché à désobéir, par amour pour Dieu, aux ordres de vos supérieurs. Bharata*, pour l'amour de Râma*, désobéit à Kaikeyî. Les gopis, par désir de voir Krishna, désobéirent à leurs maris. Pour l'amour de Dieu, Prahlâda désobéit à son père. Bali désobéit à son gourou, Shukrâchârya, pour plaire au seigneur, Vibhîshana désobéit à son frère aîné Râvana pour gagner la faveur de Râma.
Râmakrishna
* Râma est le septième avatar de Vishnou.
** Frère de Râma. Sa mère Kaikeyî voulait le faire couronner roi, mais il n'accepta de gouverner qu'au nom de son frère.
In: Jean Herbert et al., L'Enseignement de Râmakrishna, Albin Michel, coll. Spiritualités vivantes, Paris, 1942.
ANTIGONE, tragédie de Sophocle. Traduction nouvelle de Leconte de Lisle, 1877
http://theatre-classique.fr/pages/pdf/SOPHOCLE_ANTIGONE.pdf
NDLR:
Bharata (sanskrit : भरत, romanisé : Bharata) est un empereur légendaire de la littérature hindoue. Membre de la dynastie des Chandravamsha, il devient le Chakravarti (monarque universel) et est considéré comme l'ancêtre des Pandavas, des Kauravas, de Brihadhrata et de Jarasandha. Les Bhāratas, une importante tribu historique mentionnée dans le Rigveda[6], sont considérés dans l'hindouisme comme les descendants de Bharata.
La légende de Bharata figure dans l'Adi Parva du Mahabharata, où il est mentionné comme le fils de Dushyanta et de Shakuntala. L'histoire de ses parents et de sa naissance est relatée dans la célèbre pièce de Kalidasa, Abhijñānashākuntala.
Selon la tradition populaire, Bhārata, le nom traditionnel du sous-continent indien, porte le nom de Bharata.
De nombreuses représentations l'appellent Digvijaya Chakravartin Samrāj Sarvadamana Bharata (sanskrit : दिग्विजय-चक्रवर्तिन्-सम्राज्-सर्वदमन भरत, romanisé : digvijaya-cakravartin-samrāj-sarvadamana bharata, littéralement : "Le Bharata conquérant du monde"). 'Le Bharata conquérant du monde, qui est victorieux où qu'il aille, dont les roues du char tournent toujours, qui règne sur les rois' ; prononciation sanskrite : [d̪ɪg.ʋɪ.dʑɐˈjɐ tɕɐk.ɾɐ.ʋɐɾˈt̪ɪn̪ s̪ɐmˈɾɑːdʑ s̪ɐɾ.ʋɐ.d̪ɐ.mɐˈn̪ɐ bʰɐ.ɾɐˈt̪ɐ]).
