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unnikrishnan
Sadhinchene I Uthara & P Unnikrishnan I Thyagaraja Pancharatna Kriti
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Rama, along with his younger brother Lakshmana and wife Sita, exiled to the forest.
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Thyagayya (1767-1847)
Sadguru Tyagaraja Swami (Telugu: సద్గురు త్యాగరాజ స్వామి; 4 May 1767 – 6 January 1847), also known as Tyagayya, and in full as Kakarla Tyagabrahmam, was a saint and composer of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Rama, many of which remain popular today. However, only 720 of these are in vogue. Of special mention are five of his compositions called the Pancharatna Kritis (transl. "five gems"), which are often sung in programs in his honour. Tyagaraja composed Utsava Sampradaya Krithis (transl. Festive ritual compositions), which are often sung to accompany temple rituals and Divya Nama Sankeertanas (transl. Divine name compositions) which are sung as a part of concerts and in daily life.
Tyagaraja lived through the reigns of four kings of the Maratha dynasty – Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855),[3] although he served none of them.
This pancharathna krithi has been well set on the easiest of ragas, Arabhi. This Krithi has been carved out in a language full of liberty, teasing tone, metaphor and simile without having a surfeit of adjectives – all the while arresting the attention of the singers. Thyagaraja swamigal, in this krithi, appeared to be telling the greatness of the lord in a lucid manner most enthusiastically. The style adopted in this krithi is very sweet in comparison to the other four kirthanas. Oh Lord you are an opportunist, You deceived your parents Devaki, Vasudeva as also the gopikas who surrendered to you, You mischievously smile when Yashoda innocently folded you with love at the thought that she too would be disappointed on being separated from him, You falsified the aforesaid words of Sruti and Smruti. You have somehow not come to me despite the fact that I was overjoyed in keeping your memory always in my heart, You preached patience, tolerance in the face of adversity freedom from anger, satsang etc; and coolly accepted my pujas, You give bhakti and peace, Despite all this you have steadfastly not come closer to me to the end, Thus this kirthana, a gem amongst the five kirthanas which bring out the thought and reminiscences of Shri Thayagaraja; is a great gift to the singer and bhaktas.
Pallavi:
Sadinchane Oh Manasa
Sadhinchane: Achieved!!
Oh Manasa: Oh, my mind!
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Telugu (/ˈtɛlʊɡuː/; తెలుగు, is a classical Dravidian language native to the Indian states of Andhra Pradesh and Telangana, where it is also the official language. Spoken by about 96 million people (2022), Telugu is the most widely spoken member of the Dravidian language family, and one of the twenty-two scheduled languages of the Republic of India. It is one of the few languages that has primary official status in more than one Indian state, alongside Hindi and Bengali. Telugu is one of the languages designated as a classical language by the Government of India. It is the 14th most spoken native language in the world. Modern Standard Telugu is based on the dialect of erstwhile Krishna, Guntur, East Godavari and West Godavari districts of Coastal Andhra.
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Telugu has an unbroken, prolific, and diverse literary tradition of over a thousand years. Pavuluri Mallana's Sāra Sangraha Ganitamu (c. 11th century) is the first scientific treatise on mathematics in any Dravidian language. Avadhānaṃ, a literary performance that requires immense memory power and an in-depth knowledge of literature and prosody, originated and was specially cultivated among Telugu poets for over five centuries. Roughly 10,000 pre-colonial inscriptions exist in Telugu.
In the precolonial era, Telugu became the language of high culture throughout South India. Vijaya Ramaswamy compared it to the overwhelming dominance of French as the cultural language of Europe during roughly the same era. Telugu also predominates in the evolution of Carnatic music, one of two main subgenres of Indian classical music and is widely taught in music colleges focusing on Carnatic tradition.[Over the centuries, many non-Telugu speakers have praised the natural musicality of Telugu speech, referring to it as a mellifluous and euphonious language.
https://en.wikipedia.org/wiki/Telugu_language
Écoutez aussi:
Endaro Mahanubhavulu I Uthara & P Unnikrishnan I Tyagaraja
https://www.youtube.com/watch?v=9bcBbRQ7VDQ
Dudukugala I Uthara & P Unnikrishnan I Thyagaraja Pancharatna Kriti
https://www.youtube.com/watch?v=FOOTxbU2PKM
Jagadananda Karaka I Sooryagayathri I Thyagaraja Aradhana Special
https://www.youtube.com/watch?v=5Nz7YRaUyuY
Celebrating 177 years of Thyagaraja's unparalleled musical legacy with the Pancharatna Krithis!
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Râmakrishna: Message au monde moderne
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In: "Râmakrishna As We Saw Him".
Thiruppugazh - Muthai tharu Pathi | முத்தைத்தரு பத்தித் | Uthara Unnikrishnan | Murugan Bhakti Padal
Uthara Unnikrishnan interprète la chanson traditionnelle d'Arunagirinathar Swamigal « Muthai tharu Pathi » en l'honneur du Seigneur Muruga, tirée du Thiruppugazh, sur une musique de Veeramani Kannan.
Kartikeya (Sanskrit : कार्तिकेय, IAST : Kārtikeya), également connu sous les noms de Skanda, Subrahmanya, Shanmukha et Murugan (Tamoul : முருகன்), est le dieu hindou de la guerre. Il est le fils de Shiva et de Parvati et le frère de Ganesha.
Kartikeya est une divinité importante dans le sous-continent indien depuis l'Antiquité. Il a été postulé que la divinité tamoule de Murugan a été syncrétisée avec la divinité védique de Skanda après l'ère Sangam. Il est considéré comme le « Dieu du peuple tamoul » et est salué comme le seigneur des collines de Palani, la divinité tutélaire de la région de Kurinji dont le culte a acquis une immense popularité. La littérature tamoule Sangam compte plusieurs œuvres attribuées à Murugan, comme Tirumurukāṟṟuppaṭai de Nakkīraṉãr et Tiruppukal d'Arunagirinathar. Des preuves archéologiques datant du Ier siècle de notre ère et d'avant indiquent que son iconographie est associée à Agni, le dieu hindou du feu, ce qui suggère qu'il était une divinité importante dans l'hindouisme primitif.
L'iconographie de Kartikeya varie considérablement ; il est généralement représenté comme un homme toujours jeune, chevauchant ou à proximité d'une poule indienne, appelée Paravani, et portant parfois l'emblème d'un coq sur sa bannière. Il manie une lance appelée vel, qui lui aurait été donnée par sa mère Parvati. La plupart des icônes le représentent avec une seule tête, mais certaines en ont six, ce qui reflète la légende entourant sa naissance, selon laquelle il est né de six garçons qui ont ensuite été réunis en un seul par Parvati. Il est décrit comme ayant vieilli rapidement dès l'enfance, devenant un guerrier, à la tête de l'armée des Devas et crédité de la destruction de rakshasas tels que Tarakasura et Surapadma. Il est considéré comme un philosophe qui a enseigné la poursuite d'une vie éthique et la théologie du Shaiva Siddhanta*.
https://en.wikipedia.org/wiki/Kartikeya
* Le Shaiva Siddhanta (IAST : Śaiva-siddhānta)[est une forme de shivaïsme populaire en Inde du Sud et au Sri Lanka qui propose une philosophie dévotionnelle dont le but ultime est l'union avec Shiva. Elle s'appuie principalement sur les hymnes dévotionnels tamouls écrits par les saints shaivas entre le 5e et le 9e siècle de notre ère, connus sous leur forme rassemblée sous le nom de Tirumurai. Tirumurai est considéré comme le fondateur du terme Siddhanta et de ses principes fondamentaux. Au XIIe siècle, Aghorasiva, à la tête d'une branche du monastère de l'ordre d'Amardaka à Chidambaram, a entrepris de formuler le Shaiva Siddhanta. Il s'agit du système Aghora Paddhati le plus ancien connu du Shaiva Siddhanta des Adi Shaivas mathas du Kongu Nadu, qui rejette les Meykanda Shastras en tant qu'ajouts ultérieurs. Meykandar (13e siècle) a été le premier philosophe systématique de l'école. Les rites normatifs, la cosmologie et la théologie du Shaiva Siddhanta s'appuient sur une combinaison d'Agamas et d'écritures védiques.
On pense que cette tradition était autrefois pratiquée dans toute l'Inde, mais l'asservissement de l'Inde du Nord par les musulmans a restreint le Shaiva Siddhanta au sud, où il a été préservé par le mouvement Shaiva tamoul, exprimé dans la poésie bhakti des Nayanars. C'est dans ce contexte historique que le Shaiva Siddhanta est communément considéré comme une tradition « méridionale », toujours très vivante. Le recueil tamoul de chants dévotionnels connu sous le nom de Tirumurai, les Shaiva Agamas et les « Meykanda » ou « Siddhanta » Shastras, constituent le canon scriptural du Tamil Shaiva Siddhanta.
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Murugan assis sur un paon, XIIe siècle de notre ère.
Adharam Madhuram I Uthara Unnikrishnan I Madhurashtakam I Everything About You Is Sweet, O Krishna
Commentaires de deux internautes (traduits de l'anglais en français):
@GautamSengupta
il y a 2 mois (modifié)
Vallabhāchārya (1479-1531 CE), le vāggeyakāra de cet hymne exquis, est né dans une famille de brahmanes telugu résidant à Varanasi. Il prônait la philosophie de Śuddhādvaita. La famille s'est réfugiée à Champaran, dans le Chhattisgarh, anticipant une invasion musulmane à la fin du XVe siècle. Le nom "Vallabha" signifie "le bien-aimé" et est l'un des nombreux noms de Krishna. Selon la tradition, lorsque Krishna lui-même est apparu à Vallabha, au milieu de la nuit du śrāvana śuklā ekādaśi, le saint a composé le Madhurāśṭakam pour louer et adorer sa divinité.
@jimmatrix7244
il y a 1 mois
Le gouvernement actuel du Tamil Nadu s'efforce d'anéantir ce beau peuple, sa forte dévotion et sa merveilleuse culture. J'espère que les Hindous s'uniront contre leurs ennemis. N'abandonnez jamais Sanathanam*. Je paierais de ma vie pour le protéger.
* NDLR: Sanātana Dharma (Devanagari : सनातन धर्म, signifiant "dharma éternel", ou "ordre éternel")[1] est un nom alternatif pour l'hindouisme utilisé en sanskrit et dans d'autres langues indiennes à côté du plus commun Hindu Dharma[2][3].
Le terme désigne l'ensemble "éternel" ou absolu de devoirs ou de pratiques religieuses ordonnées qui incombent à tous les hindous, indépendamment de leur classe, de leur caste ou de leur secte
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Ya Devi Sarvabhuteshu | Uthara Unnikrishnan | Devi Stotram with Lyrics
(Madala Thirumalarao)
Ya Devi Sarva Bhutessu: Lyrics and Meaning
Thousands of years ago, a young lady is believed to have started dancing in ecstasy after a single realization that changed her life forever: that her life originated from the infinite Consciousness that is formless and present in every form. What emerged was a spontaneous expression of this ecstasy in praise of that Consciousness which we today know as 'Ya Devi Sarva Bhutessu'.
Sage Vak, the composer, has captured every part of human existence and attributed it to the Mother Divine. This chant, which originates in the Rig Veda, has become a part of the daily Navratri prayers and sadhana. Simple and profound.
Gurudev Sri Sri Ravi Shankar on chanting of Ya Devi Sarva Bhutessu
Omnipresent: Devi is present as consciousness in everyone. There is no place where the Devi is not present.
In all forms: Nature and its distortions are all forms of the Devi. Beauty, peace are all forms of the Devi. Even if you get angry, that too is the Devi. If you fight, that too is the Devi.
Ancient & new: Every moment is alive with consciousness. Our consciousness is 'Nith nutan' ancient and new at the same time. Objects are either old or new, but in nature you will find the old and the new existing together. The sun is old and new too. A river has fresh water flowing in it, every moment but yet is very old. In the same way, the human life is very ancient but it is new at the same time. Your mind is the same.
Ya Devi Sarva Bhuteshu Mantra | Sri Devi Namana Stotram | Bhanumati Narasimhan | Art of Living
Ya Devi Sarva Bhutessu Lyrics and Meaning of the chant
Yaa Devi Sarva-Bhutessu Vishnumaayeti Shabditaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Called Vishnumaya,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Chetanety-Abhidhiiyate |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Reflected as Consciousness,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Buddhi-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Intelligence,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Nidra-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Sleep,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Kssudhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Hunger,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Chaayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Shadow (of Higher Self),
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Shakti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Power, Salutations to Her,
Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Trshnnaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Thirst,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Kshaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Forbearance,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Jaati-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Genus (Original Cause of Everything),
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Lajjaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Modesty,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Shaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Peace,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Shraddhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Faith,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devii Sarva-Bhutessu Kaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Loveliness and Beauty,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Lakshmii-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Good Fortune,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Vrtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Activity,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Smrti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Memory,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Dayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Kindness,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Tushtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Contentment,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Maatr-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Mother,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Yaa Devi Sarva-Bhutessu Bhraanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
To that Devi Who in All Beings is Abiding in the Form of Delusion,
Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
Indriyaannaam-Adhisstthaatrii Bhutaanaam Ca-Akhilessu |
Yaa Bhuutessu Satatam Tasyai Vyaapti-Devyai Namo Namah ||
(Salutations) To that Devi Who Governs the Faculty of Senses of Beings in All the Worlds, Salutations to Her Who is the Devi Who Always Pervades all Beings.
Citi-Ruupenna Yaa Krtsnam-Etad-Vyaapya Sthitaa Jagat |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah ||
(Salutations to Her) Who in the Form of Consciousness Pervades This Universe and Abides in It, Salutations to Her, Salutations to Her, Salutations to Her, Salutations again and again.
